note : 2/10
After scoring the spirits with his album "The Fame monster" comes in a second version with new titles like "Telephone", here Haus Of The Monsters return after three years non stop. On the cover, the young 24 year old woman presents with a more Gothic look, showing the rock clichés sauce à la Gaga Dance. A head fit for a Barbie doll that was dilapidated nests the head on a super bike of Action Man, seems to tell us the sad fate that contains the album.
At first glance, just by reading the tracklist we see influences or at least the effort to make some connection between the pouch and that contains the CD. Yeah Lady Gaga wants to play rock but ... from the first listen all seems inconsistent and disproportionate. "Marry The Night" opens the show with a lady gaga on edge, and consequently in flown dance worthy of the soup we serve each year of David Guetta.Follows "Born this Way", which betrays us in the intro (yes because Lady Gaga has a knack for making crazy intros where we feel that the song is going to take us somewhere else but it is far what we are expecting) and takes us to a "bad copy" of Madonna not to mention the banal lyrics. Starting to feel a little disappointed in the third track something happened and finally I can find a listenable track, "Hooker Government" and its catchy rhythm, come to tell us that Lady Gaga has missed something with this song, which seems to be the most sought unlike others. "Judas" and its sleazy synths, resulting in an interesting sound, can not get unanimity with its crappy refrain from of a bad dance compilation of 90's. "Americano" halfway between a pop dance to forget and Mexican folk, seems to turn into a disco song worthy of ABBA. "Hair" seems to be a pre-written song for the Disney Channel series such as High School Musical. We continue to listen to the rest, even if it becomes repetitive and boring, and there with large hiatus "Scheibe" as resolutely made for the dancefloor with a big influence of the 90s, but that does not convince as heard again and again as it is "Highway Unicorn." And in this end of playlist that is already quite messy and inconsistent, Lady Gaga seems to pay homage to his influences to rock .Unfortunately the rest is too smooth to be really appreciated, and boxes to keep coming so fateful rhythm and it seems that Lady Gaga did not feel very inspired when writing of her album.
So nothing really new in the mid-Pop / Dance, a non-coherent album that reminds us how the Eurovision contest has nothing to envy to Lady Gaga. Turning point after "the fame monster" who came to exploit the dance of the 90s without doing something new, "Born this Way" is not convincing and offers a soup previously used and cooled long ago.
